At present JBusk generates bass, drum, and piano stab tracks. The instruments assigned to the bass and piano tracks are configurable, but default to 32 (accoustic bass) and 1 (piano). At present the drum track is not configurable, either in pattern or instrument.
JBusk is extremely crude, and not remotely likely to be useful in its current form. However, if you have even a rudimentary knowledge of Java, you should be able to customize it to produce output more to your taste.
jbusk_dist.jar into any
convenient directory, using any unjar or unzip utility.
The archive contains source code, the executable JAR file
jbusk.jar, and an Ant
script to rebuild the executable if you change the source code.
java -jar jbusk.jar config_file [midi_file]The file
jbusk.jar should be in the same package as
the file you are reading; put the full path to this file on the
java command line if it isn't in the current directory.
The last argument, midi_file is optional. If it is
given it specifies the name of the output MIDI file; if not,
the output goes to a file jbusk.mid.
The configuration file specifies the chord progression to play, and various MIDI settings, as described below.
name=valueEach entry must be on one line, however long it is. The most important entry is
chords=, which is discussed in a separate
section below. This sections describes the other configuration
file entries. Sample configuration files are included with the
software, in the samples directory.
syncop is 0, only the downbeats are played in the
bass and piano tracks. This is very dull. The larger the value of
syncop, the more off-beat notes are played. The maximum
value is 10. Best results are obtained
when this parameter is in the range 1-3.
chords in the configuration file. The
chord sequence is one or more chord names separated by vertical
bar characters (|). Each bar character represents a bar; there can be
at most four changes in a bar. Changes must correspond to downbeats
(the software provides no way to set an off-beat change).
For example, to specify one bar of C (major), one of F minor, and one of E# (major):
chords=C | Fm | E#Unless otherwise obvious, a chord sounds for one (quarter note) measure, or until the end of the bar, whichever comes first. So this sequence:
chords=C F | C C Fplays one measure of C, three of F, two of C, and two of F. To extend the duration of a chord without repeating its name, use the dash (-) character. For example, this sequence
chords=Cmin7 - - Fplays three measures of C minor 7th, then one measure of F. Without the dashes, you would get one measure of Cmin7, then three of F.
At present, JBusk recognizes the following chord names.minor, min, m - minor maj7, major7 - major 7th 6 - major 6th 7 - dominant 7th 7b5 - dominant 7th with flattened 5th m6, min6 - minor 6th min7,m7 - minor (dominant) 7th dim, dim7 - diminished m7b5 - minor (dominant) 7th with flattened 5th b9 - major with flattened 9th 9 - major plus 9th b5 - major with flattened 5th aug, b13 - augmented (major with 5th sharpened)If a note name is given without a chord name, a major chord is assumed.Bugs and limitations
Where to start? Well, here's a few to be going on with...
chords= line to the right length.
kb@kevinboone.com.